Whirlybird Creatives

Underground Honky Tonk
The Whirlybird, Underground Honky Tonk and Folk Art Museum

Here we are hanging out in the Bird.  (BTW – we have had a lot of great comments about this photo – it was taken by our friend and photographer, Robin May.)

You can see it in our eyes – we are dreaming up more fun and fun ways for folks to help us keep it all going.  The Whirlybird building was magically and generously returned to us by a friend on a hand-shake – but, it turns out we need some help to finally get the building paid off.  Borrowing is not a good solution to this situation.

We got this idea of a Whirlybird Fan Club from friends – a Fan Club with membership that is specifically geared to clear the debt to a Whirlybird friend who made it possible to continue Whirlybird activities,  to support our creative and artistic efforts with The Whirlybird, and, to create a supplemental fund for payments to collaborating artists.  Read all about it. . .  and join us.  And, Jim has decided to throw in some personal stories – lagniappe and as an enticement – stories from a life of fun and adventure – chapters from his first literary projects.   Be the first to read – well, we mean – hear some of Jim’s stories in audio form right here on a special webpage created just for you as a subscribing member of The Whirlybird Society and Fan Club.

Be one of the first to go on a self-discovery trip with Jim as he explores the “WHY?” behind his mother’s “thinking-out-loud” comment at the dinner table one night.  It was years after his father had died, and his Mom was in a pensive mood, looking innocently and thoughtfully towards him, but yet beyond him, as if she were contemplating the great mysteries of life, when she quietly said, “I can’t believe you came from your father and me.”


Flight history

Pure and simple – we fell in love with Acadiana’s culture and bought an old “camp” – a weekend place with a cabin – just outside Opelousas. When our friends wanted to know what the two of us were going to do with that place, they laughed when we pledged, “We’re gonna put a dancehall in the yard.” Then, we did.

A local friend found an old tin-sided rail-yard freight depot we could afford to purchase and move to our camp. (Yes, these things happen in Louisiana.) With the help of many friends, while we were traveling back and forth between California and Louisiana bringing loads of folk art with us, we created a “cultural house of fun” bigger than anything we ever imagined or planned.

In late August 2005, the night before Hurricane Katrina hit the coastline, having finally finished major construction and having most of our early renovations done, we had a party.  Our Irish friend, Tony Davoren, described it as a “bar wetting” party.  But, most everyone left early to prepare for the hurricane.  As our friend, John Vidrine, a safety engineer said, “Take this one seriously.”  We all did.

Since Katrina, using mostly recycled materials, we installed a dance floor and a bandstand, a small kitchen and an ornate, salvaged wood bar. We added 2 bathrooms with hot showers along with two “very cool” private bedrooms we call the Kingdom of Zydeco and the Esquire Ballroom.  There’s a story behind each name.  We occasionally rent the bedrooms through online travel clubs as vacation rentals to help us pay for the building and utilities, however, it has been a bit slow, considering we are reluctant to advertise.  We want to keep The Whirlybird intimate, non-commercial.  We want to continue maintaining The Whirlybird as an expression of our love for fun through folk art, music, dancing, cooking and eating, libations, hugging, laughter, and storytelling.

Once our talented musician and artist friends in Louisiana discovered The Whirlybird, they told their friends and families, and after Katrina, The Whirlybird became a local vehicle for hurricane recovery.  It became a handy form of cultural, emotional and spiritual medicine.  Fun goes a long way.   One of our mottos was – “Come get you some.”  And, we all have.

Soon the “the ‘Bird” rocked with parties and cooking, creative and collaborative projects among artists, dancing and live music, and movie nights and stage plays and storytelling. After the Cajun Americana band the Red Stick Ramblers shot their first music video there, fans around the world marveled at this honky tonk rooted in another era.  The Ramblers’ label, Sugar Hill Records of Nashville, called it “Opelousas, Louisiana’s premier underground nite spot.” Christy told me Sam Broussard, 2008 Grammy Nominee for Best Zydeco or Cajun Music Album, told her, “I believe we’re looking at the inside of Jim Phillips’ head”. 

Tooting our horns

Since the beginning, Christy and I have worked hard and have sacrificed to ensure it’s more like an underground “family rec-room gone wild” instead of just another public venue driven by watered-down pop culture and the almighty dollar. The music and fun haven’t stopped.  Since we moved full time to Louisiana in 2006, surprisingly, the Whirlybird has moved, too – that is, between its location at the camp to our permanent residence.

There’s a magical story about that move.  During the Global financial crisis, starting 2007-08, we had no choice but to sell our beloved camp, and unfortunately, The Whirlybird building had to be sold – and left behind. But miraculously the ‘Bird came back to us, thanks to a local friend and fan who also happens to be our house mover.  Having our best interest in mind, knowing its history and cultural value, and having an opportunity to help us continue the cultural phenomena that is the Whirlybird dream of Christy and Jim, this friend kept the building from destruction and sold it back to us and moved it to our permanent residence 10 miles away on a hand-shake and a promise.  Of course, we want to keep our promise and we need to finish repaying this friend as soon as possible, however, unforeseen expenses and a slow down in our vacation rentals have slowed us down.   We are asking for help from our community – the one that shares the fun of the Whirlybird with us and appreciates our artistic and cultural work.

The ‘Bird has inspired songs by International artists, and, hosted the making of documentary films and International television programs and music videos, and it has hosted music artist’s CD recordings and release parties.  The ‘Bird created a special place for people to have cherished spiritual experiences through art by talented artists, to fall in love and change their lives forever, to have intimate weddings and anniversary parties, to enjoy crawfish boils and poetry readings – and, of course, to have wonderful house concert and dance adventures like no other.   Last but not least, there are epic annual events:  there are Thanksgiving potluck celebrations every year, sometimes with honky tonk dances, jam sessions and bonfires – and – The Revelers Annual Lundi Gras Blowout – and – The Annual Pre-Blackpot Camp Throw Down. The ‘Bird is where many international visitors, brought by friends, have savored their first unique American and Southwest Louisiana-style cultural experiences.

Here’s what formidable Southern Living Magazine had to say about our folk art/cultural project: “Some of the biggest names in Cajun music and beyond “pass a good time” there.”

In Country Roads Magazine, this is how Lucie Monk Carter described us: “The two are both educators, notably having founded the Steampunk and Makers Fair in Lafayette; the instinct to guide a group through cultural awakening shows in the mere existence of The Whirlybird as well as the strictures that make pure joy possible within.”

A great idea – a fan club

The Whirlybird is bigger than us – Christy and Jim, that is.  But, The Whirlybird is us – it is our artistic and cultural expression – it represents us, the 2 artists that created it and continue to make it fly.  Most our fans know it takes more than vision to keep The Whirlybird generating that joy it represents – it takes a lot of sweat equity.  And, we have to say it – it also takes money.  It takes money to pay off the re-purchased building, to maintain the 80 ft. long building and adjacent grounds, pay for utilities, and to sustain a lively calendar of activities, as well as, pay collaborative artists fairly for their work.

Note: As of May, 2021 we have paid off the debt owed for the building and the move.  Thank you for helping us do it.

In the beginning we did not charge admissions, but acquiesced when the tip jars didn’t produce enough money for the collaborative artists and normal expenses.  Today, having debt on the building, we are finding that raising enough money through admissions and the online vacation rentals of the Whirlybird bedrooms is still not enough to consistently pay collaborating artists a fair stipend or to just keep up with basic expenses related to activities and pay back for the building.  We were never “in the black” but keeping up and staying “close to the line” is made more and more difficult, considering we have an aversion to publicize.  We want to keep the special intimate atmosphere alive and going forward.  We also need to pay off the balance due on the building, which would release a lot of the financial pressure each month by squaring us with our generous friend who made the continuation possible.

That’s where our shared plan idea – for a “Whirlybird Society and Fan Club” comes in.  Consulting with friends, we are convinced there is a “flight” (a group) of Whirlybird fans who understand the unique value the ‘Bird offers them personally and to our community at large.  We believe there are enough fans and friends who like the idea that The Whirlybird exists in the world, and that there are fans and friends who do not like the idea that Whirlybird activities may be curtailed or limited or ceased,   We know there are fans and friends who want The Whirlybird and our activities to be sustainable.  Christy and I hope you will support the idea of a membership style club that financially supports us as the creative artists and the “little engine that could” keep the ‘Bird aloft and flying high.

We learned about this sponsorship/fan membership idea from other artist friends who are doing this through various online programs.  This concept of person to person, communal support and patronage for artists is the new way in the digital world to directly support artists and projects you particularly love.  With so many “cut-backs” to art, culture and artists, digital life is a natural path for creatives all over the world to find their fans.  And, here we are looking for our fans and fans of The Whirlybird.

First Goal Reached – Now, Whirlybird Artist Fund

WE DID IT!  The building and the move have been paid for thanks to the help of The Whirlybird Society and Fanclub (AKA, Friends and Family, Whirlybirders, Whirlybird Nation) – the debt is now free and clear…

We started The Whirlybird Society and Fanclub fundraising drive with a tiered membership, where members could support our creative efforts for as little as a $1.99 per month (less than a cup of coffee from you-know-where) – or you can jack it up to $27 per month (hey, it worked for Bernie).  We do have friends who give to their favorite animal shelter $30 bucks per month…. And, there were “tiered” perks.

We are suspending our tiered membership fund-raising drive, but will honor the EXCLUSIVE “tiered” perks once the events are back in action post-Covid. 

We are now going forward with a donation button (see below) where you put in the amount you want to donate toward the Whirlybird Artist Fund.  It can be a one time donation or you can choose to make your donation a recurring monthly donation as an on-going supporting subscriber to The Whirlybird Society and Fanclub.

Now that the building has been secured, the focus for fund-raising is to create a stable fund to supplement the door and tips with a generous guaranteed minimum session stipend for each artists who plays an official gig at the Whirlybird – which is a collaboration between the artists.  Too often the money collected at the door and tips are simply not enough to pay the artists a reasonable stipend for a full gig – especially, when we have multiple bands or small, intimate audiences.  We now have the “Whirlybird Artist Fund“, which we hope will grow and become large enough to GUARANTEE EACH ARTIST A MINIMUM OF $200.  We also intend to count Christy and myself (Jim), as individual contributing artists, also being guaranteed a minimum stipend…  We continue to dream….

“Our creative lives are the fuel that feed the creative engine that generates the power to drive the pistons and turn the gears and rotate the rotors that delivers the lift and causes The Whirlybird to fly.”

Don’t forget to tell friends who have the inclination and the wherewithal to contribute to the Whirlybird artists – and, of course, two of your favorite artists.  You can send the link below via email or text by simply copying and pasting:


Thank Y’all.